The O-Zone Craze - Shedding Some Light
The O-Zone craze seems to have finally crossed the pond, selling nicely on Amazon.com. It even reached the blogging world. I picked it up from Seth's blog, but then Joi Ito has a nice piece on it, too. What caused the craze? A most amusing 'tipping point' in the shape of a small video :-).
So I think now's the time when bloggers could use some clarifying information from someone who literally speaks the same language with the O-Zone guys. Not that this information doesn't exist on the web already - it just needs some fresh exposure every now and then. Here it goes:
- The funny-looking name Numanuma is actually a repetition of two Romanian words, 'nu ma' (or, to be correct, 'nu mă') that are part of the lyrics of O-Zone's smash hit 'Dragostea din tei' ('Love in the linden tree'). More precisely, they're part of 'nu mă iei', which translates into 'you don't take me [away with you]'. I know, I know, but I'm a namer and I'm obsessed with it :-)
- O-Zone have long been a hugely successful act on the European dance scene. That is, since around AD 2003, if I recall correctly. They're from Moldova (a small ex-USSR republic), not the neighboring Romania. Due to the complicated history of this part of the world, both Romanian and Russian are spoken in Moldova. O-Zone had a choice to make and they went for singing in Romanian (and entering the showbiz in the same country, not in their own), as they correctly supposed it would help them promote their music all across Europe.
- Starting out from Romania, they've come to be known as a Romanian act and have been quick to monetize on their growing brand awareness all across Europe. Think of all the paraphernalia you can, from ubiquitous (and annoying) ringtones onwards.
- Yes, Seth, there's a point, although a very shallow one - it makes people laugh, on the cheap. The raw matter (that is, the original O-Zone music) is renown for its supremely dimwitted lyrics - they're all too obvious for native Romanians, but relevant translations abound on the web. At the same time, it is highly danceable (simple, repetitive, addictive sound patterns being involved), here and everywhere in the world and that's what seems to count for most people.
My 2 eurocents.
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